Circe
Ogygia - Episode 15 - Fragments
Sean Murphy and Veronica Dyas
February 2009
Fragment 1
Fragment 2
« | August 2019 | » | ||||
S | M | T | W | T | F | S |
1 | 2 | 3 | ||||
4 | 5 | 6 | 7 | 8 | 9 | 10 |
11 | 12 | 13 | 14 | 15 | 16 | 17 |
18 | 19 | 20 | 21 | 22 | 23 | 24 |
25 | 26 | 27 | 28 | 29 | 30 | 31 |
Circe
Ogygia - Episode 15 - Fragments
Sean Murphy and Veronica Dyas
February 2009
Fragment 1
Fragment 2
Expanded Cinema
Other Cinema
Para-Cinema
Exploding Cinema
Cinematic Memory
Cinema - the impure Art
Cinematic Heterotopia
Rogue elements that throw the whole temporality out of whack – The mini that appears in the Coliseum in Ben Hur.
Deterritorialisation.
Indeterminacy.
Related Artists:
Angela Bulloch
Liam Gillick
Dominique Gonzalez Foerster
Pierre Huyghe
Phillipe Parreno
Douglas Gordon
Jorge Pardo
Most recently I have been engaged in the production of video based works which oscillate between dramatic representation and documentary reality, which blur the line that divides fiction and non-fiction and which also attempt to subjectively represent the process of conscious thought.
I feel privileged to be coming back to College to attend this course and I'm really looking forward to working with fellow students and colleagues over the next two years.
I'm looking forward to rigorous and healthy debate, criticism and feedback and I'm going to try and leave my preconceptions and habitual ways of working and thinking outside the main gates.
Create a mind map with software available here:
http://freemind.sourceforge.net/wiki/index.php/Main_Page
Create a mind map with software available here:
http://freemind.sourceforge.net/wiki/index.php/Main_Page
* Practice based research
* Have a practice
* Define an area of Interest
* Self-reflective
* Criticality
* Experimentation (Not knowing the outcome)
* Contextualising
* Verbalising
* Communicating
* Writing a text
Outcomes Semester 1
* Research Proposal (3rd December 2008)
* Presentation
The Aesthetics of Failure, Kim Cascone
Chronology, Daniel Birnbaum
The Cinematic, David Campany
Reviewing a biography of Jorge Luis Borges in The New York Times Book Review a few years back, David Foster Wallace attacked the standard biographical procedure of mining the lives of writers for clues to their work, and vice versa. Borges’s stories, he insisted, “so completely transcend their motive cause that the biographical facts become, in the deepest and most literal way, irrelevant.” |
Newer | Latest | Older